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Ever
come across a website that you just had to share
with your friends? Well, Hymnscript.com is one
of those sites. Read on as we talk to the Christian
artist behind it all. She's extremely talented,
yet very
humble about her work. So let's jump right in
and meet Diana Coate Wolverton...
Todd: First of all Diana I want
to thank you for taking the time to answer a
few questions. Your work
on the digital canvas is truly incredible.
You seem to have a natural ability.
Diana: Thank you.
Todd:
So how and where did this all start? Why hymns?
Diana: My
desire to express praise visually, incorporating
the written word, started in the late
1970s. I was studying calligraphy at a local
university and tapped into a hymnal for subject
material.
At the time I imagined publishing a coffee-table
book of calligraphed praise. That's how
the name "Hymnscript" came
about. I've
been fond of lettering and type since I can ever
remember; I probably was the
only kid
ever
to have typography books on her Christmas
list. It wasn't until the personal computer
ushered
in a digital art age that everything
finally synched
to produce the art I wanted to do.
I
feel strongly about the worth of traditional
Christian
hymns. Hymns tell stories we
all know. Their words and melodies
connect us
with generations
of believers who have sung the same
songs. I fear the classic lyrics and tunes continue
to
be diluted
and lost as components of worship.
The
Creator, Father God we worship is infinitely
complex,
and my mind wants to embrace that wonderment
and to
worship, too. A rich, densely textured
hymn does that best.
Todd:
Tell us a bit about your career as
a graphic designer. Is Hymnscript
a passion
you do
in your spare time?
Diana: In
my nine-to-five as a graphic designer, I design
for print
and Web: document
design, brochures,
newsletters, books, logos, spot
graphics, and Web sites. Yes, creating Hymnscript
art -- for
now,
at least -- is done in the in-between
hours.
Todd: You'd
never know it Diana, the website and artwork
looks awesome. I'm sure the
graphic
designers reading this
would like
to
know
what programs
you use to create
these elegant designs. Do you
use primarily digital techniques or
do you mix in
some traditional
hand done art as well?
Diana: I
create with a layering of traditional
and digital techniques using
Adobe Photoshop and Illustrator,
and Corel Draw, Photo-Paint,
and
Painter. Photography, although
not in a traditional
sense, is usually
the starting point for my work,
and my digital
camera is a trusty companion.
I also use a flatbed scanner
and
graphics
tablet. Hand-lettering is
featured in a few pieces; I
hope to incorporate more in future
work. (My
vintage Brause
pen nibs are begging to get
back into commission.)
Todd: Every
artist has something that inspires them and gets
the creativity
flowing.
What inspires
you to create?
Diana: I'm
a big fan of bold splashes of color, unusual
textures,
art glass,
roses,
and overcast days.
But my biggest inspiration
is music, especially that
performed on the
King of Instruments,
the organ. Plug me into
some Virgil Fox, Diane Bish,
Michael McMurray, or Frederick
Swann, and work will get
done! I'm
quite smitten with the works of J.S. Bach,
and,
of course,
traditional hymn
melodies and
lyrics. Sometimes a fragment
of a hymn
verse -- just a
few words -- will reach
out and grab me. The
form and
color of
that fragment
just
naturally
speak
and get the creativity
soaring.
There's
also endless inspiration when you
find new ways
to look at ordinary
things,
like the
texture and movement
of draperies in a beachfront
window,
the sheen of a conference
room table, the changing
patterns
of lights on
a baseball
scoreboard.
Todd: You've
got me inspired right now! But seriously, when
people think of hymns they usually
think
of some
super religious
author
writing lyrics
that the rest of
us couldn't even begin
write. The
hymns you use in
your artwork
seem like they
are so relevant to today.
How can that
be?
Diana: The
classic hymns of the Christian
Church
are relevant
to today! Hymns
were written
by ordinary
people:
mothers,
insurance
salesmen, cabinet
makers. People
who cried out
to God, who
longed
for God,
who reverenced,
thanked and praised
God. Has
either the human
condition or
the character
of God
changed
since an eighth-century
poet wrote "Be
Thou My Vision"?
Or since Joachim
Neander penned "Praise
Ye the Lord, the
Almighty" in
1680? No! Hymns
are an amazing
form of poetry.
There is such
a precision-like
economy of words,
but such
a wealth
of meaning. Dig
into the third
or fourth
verse of
a hymn.
Examine the
words.
Trace the story
from verse one
through to the
A-men.
What treasures
you'll find.
Todd: You
make a strong case, I'd have to agree. Your layering
effects are very natural and inviting.
It's as if you're
looking through
transparent
glass,
soft sheer
flower petals
or
translucent
paper made of colored
light.
Did you learn
these techniques
in design
school, is
it a natural ability
or was
it the result
of
experimenting?
What tips
can you offer designers
when
working with
transparency
and imitating
natural
light?
Diana: Except
for calligraphy
studies
years
ago, I'm
self-taught. My technique
(and tip)
is "play
to learn." Play,
soak in
what you
learn,
then play
some more. Don't
you think
the
whole notion
of layers
and
collage
is a wonderful
metaphor?
A pastor
at
a memorial
service
once noted how
life is
like a
tapestry
where we
see only
the back
side
-- haphazard
color,
loose threads;
only in
Heaven will we
see the
finished side. I'm
continually
reminded
of
that when
making
art. Sometimes
I wonder
which side
it is the
work
represents.
Todd: I
never thought of it that way. Great insight.
In addition to the many
pieces you
offer
for
sale, you also
have
some free high
resolution
images
for
download, such as bookmarks (pictured right)
and cards.
You encourage people to
download
free
samples and
share
them with friends
and
family.
Hymnscript
is
not only
a business
but
a ministry as well!
I'm
sure knowing
that
your art is
being
used to spread
the
Gospel and
encourage
believers
makes
it all worthwhile?
Diana: As
an artist
and
writer, I fully
appreciate
both
sides
of
the copyright
issue.
That's
why
I feel
it's
important
to
release some
work
for
public use.
I plan
on
adding more
free
artwork
--
including some
bulletin
covers
--
later this
year. First
and
foremost,
my
art
is
a
personal expression
of
worship
to
my
Savior.
He
has
given
me
the
love
of
making
art,
and
my
response
is
to
give
it
back
to
Him.
If
Hymnscript
can
also
be
used
to
catch
the
eye
of
Christians
and
non-Christians
alike,
to
draw
them
in
to
take
a
closer look
at
the
art
and
the
words
that
inspire
the
art,
and
to
know
the
Truth
that
lives
behind
those
words,
then
what
an
extra
joy!
Todd: Indeed.
Thank
you Diana...
Diana: Thank
you, Todd,
for your
dedication to
bringing the
work of
Christian artists
into the
spotlight.
To
learn more about Diana and Hymnscript.com, click
below:
Visit
Hymnscript now! |